My favorite foreign release is Tampopo, and if I torture myself into buying the DVD and then selling it back, or Amazon gets the instant viewing rights, or in longer odds, it plays on my broadcast channels, it is ripe for dissection, however much I might wish for a photogenic memory, this is not one of my gifts. Culling the vignettes I can recall is not entirely satisfactory, though it might startle some of you that a film like this gives me a rare light-hearted delight, a sense of resolution that allows me to hold out, surviving gravel lungs and all, inclusive of supporting the Japanese if they harbor any future hope of continuing to humiliate China. If the boys of WW2 had played their cards with more acumen, Mao might not have ever had the opportunity to lay the mainland to waste.
Let me roll back a prior hostility slightly: Douglas's A Solitary Man turned out to be a wicked enjoyment, a rare moment when I could set aside my antagonism toward the actor and relish his deconstructions. This film is a subtle amalgam: a more incisive war of the Roses absent the poignant finality, an inside commentary on long winding A list twilight, and a softer, if still edgy, Falling Down, which I've mentioned is Michael as the anti-hero that I liked; but Falling Down slams the brakes and winds itself up in law and order moiety. A Solitary Man refuses this safety catch, and is stronger for it, such that may lend itself to future use.
I should not be posting, but my lungs have nearly reset, and depending on how much I catch up, we'll return to The Brothers Rico shortly. Off to bed.
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