"You'll see my smile looks out of place."-- Smokey Robinson
To be a writer is nothing, but to be an author through the track of my tears exacts the terrible necessity of its price, the over-invested attachment, which for me will lead to some sort of literature generation of the tangible kind, either with a book jacket, or laminated article, through the ebb and flow of accreted megalomania, crested after challenging the levies, don't believe my heart isn't broken, that it has taken so long to see the distaste in exploiting human suffering.
I cared. I still do, and, barring a miracle, will return to the constraints of being a micro managed living wage, an indigent puddle for someone's salary, but there has to be a better way to do it than the socialized lowest common denominator we have. One of those is instituting rational euthanasia, stringent safe guards in place, rating levels of treatment accordingly. The health care professional would make less money, but our species would conserve finite resources through compassionate culling. Given population demographics we will be forced into it eventually, regardless of speculative venue, Soylent Green or Cuaron's contemporaneous homage.
Ethan Saylor would have become expendable; it would have been an inevitable consequence. The officers no doubt over-escalated his compliance, but it is an issue of adaptation, and the boy did not know how to mitigate his behavioral intransigence. It is irrelevant, whom among us had the skills to coax him down; he would have been killed in exactly the same way that compliance models surreptitiously attempted to suck me under while my country was conveying that I too could have equal opportunity. This is how socialized paradigms, disability centers, public housing, socialized medicine, destroy the individuals they deign to assist.
I do not sign the Saylor petition. And I won't. It comes down to a value judgment of husbandry. If you believe this is callused, Liberty Resources does exactly the same thing. A very few become essential personnel, earning their salaries on the basis of rationed scarcity, making personal autonomy more expensive and inefficient than necessary, thereby unable to recognize value, the skills of intelligence that could lead to system enhancement.
Showing posts with label ethan saylor. Show all posts
Showing posts with label ethan saylor. Show all posts
Thursday, October 17, 2013
Sunday, July 14, 2013
Anglo Habitation: Black Judaism
"Who cares what model the weapon is?" -- Leon Wieselter
I did not mind Roth's specificity over Simon Axler's shotgun in The Humbling. This is not to dispute Leon's churning efforts at literary distillation. I am a failed woman with birth brain damage we classify as cerebral palsy, but do the same thing Leon does, think in the hues of comparative terms, and I do not understand the American Jewish Left's argument with itself. Not for lack of trying, or not so much trying as exposure--perhaps too much of it-- inclusive of the particularly Jewish obsession with Henry James-- where the fuck does that come from? I often ask. How did Jewish academic culture appropriate a fairly affluent but rather fucked up and somewhat not well educated Anglo-Irish snobbish old fart who could never make up his mind and had a great deal of enmity toward American Jewry, as he saw it, in the late Victorian era? My belonging or enmity or both belonging and enmity with the academics surrounding those of us obsessed with the Master is trumped up. I know it. I am neither friend nor foe to Greg Zacharias, and my speculation about his use of anti-depressants exposes me for what I am: a silly cripple who isn't trying hard enough. I wrote to a more accommodating member of this sometimes queer community that I was writing an essay on Lampedusa "for myself," implying that if I ripped my fucking soul apart over James that it was out of obligation to the dead who aren't even necessarily my dead.
I liked Roth's faulty little book, more than Wieselter's nearly overweening deconstruction of it. The Humbling is a satirical take on the pernicious influence of Jewish culture in the arts and the American entertainment industry, and reiterates what Roth achieves with The Human Stain. Hopkins was miscast to play a high yellow masquerading as a Jew who is murdered by Richard Harris in Anti-Semitic mode. This whets my curiosity over the genius of Philip Roth. I also did not read hostility to homosexuality in Pegeen's boomerang relationships. I read a send up of Jewish mothers, of infantile narcissism, an encapsulation of the customer review I may write for Amazon in a concomitant act of phlegm melt and decomposition. Green dildo in a harness?
I think not, but if you like Roth, his send up of the psychiatric modality, one I lived with my mother's continuous hospitalizations, points to my lack of belief in counseling therapy. Not that ableism can't kill me at any time.
I did not mind Roth's specificity over Simon Axler's shotgun in The Humbling. This is not to dispute Leon's churning efforts at literary distillation. I am a failed woman with birth brain damage we classify as cerebral palsy, but do the same thing Leon does, think in the hues of comparative terms, and I do not understand the American Jewish Left's argument with itself. Not for lack of trying, or not so much trying as exposure--perhaps too much of it-- inclusive of the particularly Jewish obsession with Henry James-- where the fuck does that come from? I often ask. How did Jewish academic culture appropriate a fairly affluent but rather fucked up and somewhat not well educated Anglo-Irish snobbish old fart who could never make up his mind and had a great deal of enmity toward American Jewry, as he saw it, in the late Victorian era? My belonging or enmity or both belonging and enmity with the academics surrounding those of us obsessed with the Master is trumped up. I know it. I am neither friend nor foe to Greg Zacharias, and my speculation about his use of anti-depressants exposes me for what I am: a silly cripple who isn't trying hard enough. I wrote to a more accommodating member of this sometimes queer community that I was writing an essay on Lampedusa "for myself," implying that if I ripped my fucking soul apart over James that it was out of obligation to the dead who aren't even necessarily my dead.
I liked Roth's faulty little book, more than Wieselter's nearly overweening deconstruction of it. The Humbling is a satirical take on the pernicious influence of Jewish culture in the arts and the American entertainment industry, and reiterates what Roth achieves with The Human Stain. Hopkins was miscast to play a high yellow masquerading as a Jew who is murdered by Richard Harris in Anti-Semitic mode. This whets my curiosity over the genius of Philip Roth. I also did not read hostility to homosexuality in Pegeen's boomerang relationships. I read a send up of Jewish mothers, of infantile narcissism, an encapsulation of the customer review I may write for Amazon in a concomitant act of phlegm melt and decomposition. Green dildo in a harness?
I think not, but if you like Roth, his send up of the psychiatric modality, one I lived with my mother's continuous hospitalizations, points to my lack of belief in counseling therapy. Not that ableism can't kill me at any time.
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