Showing posts with label josh groban. Show all posts
Showing posts with label josh groban. Show all posts

Saturday, May 12, 2018

Josh Groban's Growth Spurt

You don't know how to talk to people.--nothing the dowager hasn't heard before

My readers may appreciably take comfort in the fact that I have very little formal training in music, as cousin Pamela and I swap tunes as a form of moral support, to discover on my own that I know You Raise Me Up through exposure on commercial radio, and it is this Josh Groban, pitted unequivocally against Brian Greene, and by extension, Feynman:


whose atheism Greene is highlighting, who wins the argument. No one can listen to Groban's trembling baritone and not be reminded of our transcendental merger with aspiration, regardless of your faith, or lack thereof. The singer might be a telescopic savant, little knowing that one of my tweets to him, for miserable Pamela's sake, was tongue in cheek, and the public face of popular physics may understand genius enough to distill it to rogues such as I, but listen to Josh, then listen to Greene, and a pathway may be found where neither personality is necessarily in dialectical opposition to the other. Musical compositions are as carefully coordinated as the Hubble telescope, in certain respects, so God may be absent and present just the same, whether in a spiritual or material worldview, as I stray further and further afield into this woman's land mines, with conscious alarm telling me to withdraw while I can, and don't, carrying this woman's pain atop of mine. I owe her mother-in-law as my father's sister, certain loyalties, while neither woman does much to give disability pride a good name, with their respective conditions forming a cesspool of self-pity, with brassy Philadelphia sparks as we wither. I, who am suicidally depressed but for my resilience against it, begin to fear my cousin's wife may kill herself, as she insulates her failing body in recrimination. I, who had a horrific medical life, see Pam's as worse, aside from the fact that sticking my nose in it, as Richard the elder would remind me, supporting Pam is just outside an immediate family concern, while for once, the paraprofessional holding himself off me, just, may find me nodding off in the machine, trying to find the space to work between his scent, and Pam's grip on me as a liferaft, to still work as a writer, taking too much of a toll. He took my hand yesterday, seized it, as no man has ever done, to indicate effect, possession? And I wonder what the hell we're doing, me, maybe 24 months off from returning to medical institutional fodder, and this former factory food processor. Oh, I've had relatively tepid sex with able-bodied men like him, wanted to see if he would be any different, and instead, we're torturing each other in this bizarre ritual where he sees me as woman enough, but it is a sad commentary that a woman of my age has to have grown so old to experience desire conjoined to such care, forging ourselves against each other. No mobile man ever seized my hand like that. It kicked me in the skull like a gulf ball, and in part led to this all nighter, while Pam and I bleached the skeleton in the closet, vibrating with such tenacious despair.

Monday, April 30, 2018

Chocolate on the Graham

I am going to open this softly and then take a hard pugilistic stance of the sort that drives my followers down, but not because I am raw, not this morning. If my tongue in cheek allusion to Reid implies that I've stepped in dog shit, part of my edginess  in relation to it is my magnified dependence. In September 17, I was still doing what I wanted when I wanted, like an ambulatory individual, and now I can't, which points to the gravity of my failure in approaching an ad hoc wheelchair vendor. I am entirely dependent on Shane, as I now brand him, and this magnifies the transgression due to erotic need, magnifies that I have less time for research, for getting my files unlocked, for writing, for getting out, and despite my privileged nepotism speeding the construction of my chair from Mainline, I may never be able to cut my attendant care again, transfer myself freely, and my dedicated aide isn't going to save me, regardless of his unwillingness to put me entirely in my place. He should. I told him some stark and ugly things about myself, and yesterday, finally, he pointed out one of my sentiments about the inner city was racist, and in my curious way, I was glad to get that rise, as I told him as early as digging out Debbie Reynolds that I was, and this is what made me laugh that particular morning: I really have embraced diametric contractions, and though I don't enjoy framing it in this fashion, my avatar for this account has merged to my personality. I have always believed that black men were easier to sleep with, I'm mainly right, and my dissonance broke the pain of my desire as I studied his face before he left Sunday, and yet it still felt like we we're exploring our prospects, which is insane. The gulf between us is too wide, and I'd never be able to cross it whether he is really considering it somewhere in the future or deflecting for the sake of keeping me gratified. Had I actually and forcefully kissed him that first evening after, that might have been the thunderbolt, but I seem to have caught myself, punctured the attraction. Next to one of his former girlfriends, I am moldy spam on a plate, reverting back to myself with a shock. The view of her looks flung me away and it hurt. I'm never that you know, sexy. He only revealed her as men and women reveal pasts, in exploration, but the blow was mortal, maybe, but what really went with it was salvation. The man may be keeping me afloat, doing a damn good job, but I cannot expand outward if I cannot lessen the bond between us, right now, impossible. There is nothing here for me to hope for. I see him as a man, care for him, and maybe do love him, but I reduce him, and myself to the lowest common denominator, a spaz on nigger waltz, and in the mouth of Nick Gillespie, Reason's editor at large, that's sad.
But so are the images Josh Groban grafts to his progressive tolerance. "Don't Give Up" is nothing less than a page lifted from Faulkner's Light In August. Joanna Burden's destructive moral guilt is fatal in her attempt to appropriate Joe Christmas.