Showing posts with label somalia. Show all posts
Showing posts with label somalia. Show all posts

Wednesday, April 23, 2014

Shirley

Simon Baker's little escapade with Winona serves as an example of why I do not utilize comedies all that often. I am interviewing a student this afternoon, and if the student doesn't work I talked with another resident's CNA, whose name is, in fact, Shirley (score a double entendre for Hazel, as I did not realize my post title was playing second base) and may simply wind up with her after my viola training with Craigslist.

At this point I anticipate offering the horn of Africa visitation rights while I take a fugue conniption in a sand dune. My mother was, cruelly put, skid marks in a fat lady's underwear, which is why I have not the least idea when it was last I wore panties, as I'm an impaction on a roll, like my ex, Frank, indolent on stained underliners. Taupin, of course, meant "Stinker," to be a subversive celebration of the sixties counter culture, but being the real thing is the source of much of my masochism: if not my father threatening my life, then my landlord always in a state of warfare. Never changes. I could stop writing and simply police my own odor borne clutter and it still would not change. I have a complex and graphic story I am working on still called "The Monsters That Go Bump" where I try to offer my readers a visual of my assault as it happened rather than abstracting it in an essay. I still get heart palpitations when I remember it. I based my main character on a dead social worker, but what I have to take care not to be too blatant about in a blog post I let all hell break loose in this fiction, and the crippled woman, under therapy for it in prison, kills her quite innocent attendant in revenge for the assault.

It is a hard story, one I may never finish and may fain find a publisher for, as I make no apologies for its glittering hatreds. Not that I plan any harm to any paraprofessionals, but I hate them all. Most of them. Hate is the one emotion that streams a constant in my fountain. This one woman who contacted me sounds incredibly devout, so upon turning it over she's a skip, almost an anachronism, much like Shirley Booth, in a dinosaur age.