Snowman Boyce to Snowden

Tense, intriguing, and darkly compelling, The Falcon and the Snowman is a uniquely American story of betrayal. On the face of it, there was nothing to indicate that Andrew Dalton Lee and Christopher James Boyce were anything but two devout Catholic boys growing up in happy, warm families in one of the most affluent suburbs in America, living one version of the American Dream and facing nothing but the best of futures--Lyons Press

Robert Lindsey could assure you with the certitude of his specialization that we have been here before, as it pertains to Edward Snowden. Edward, Bradley Manning, Boyce, they form part of a larger pattern that is a distinct subset in the world of espionage, related, but discernible in motive from the gaming of Ana Montes and Robert Hanssen.

The actions of Snowden, to my nose, are slowly taking on the odor of sour milk; he seems to be a character inside of his own Timothy Hutton morality play, although the NSA's technical capacity and ability is something that I am sure keeps James Fallows awake on his pillow, in addition to this well bred correspondent's other worries.

Some films are distinctions of their auteurs; some films have an educational agenda. The Falcon and the Snowman, in addition to what I have written on it in other posts, is representative, at least through Hutton, of the corrosive effects of delayed ejaculations and rapist rage that ventilates itself in treasonous activities.