Friday, January 22, 2016

The Strength of Apostasy, a good marina sauce

"A science that strives to understand apostasy as a thoroughly social phenomenon has much to gain by recognizing the members of this curious class [...] for what they are."-- David A Bromley, The Politics of Religious Apostasy, p 116

Ray Liotta's poc-marked projection of shell shocked disembodiment is perfectly diachronic between slumming it with Scorsese in Goofellas, to the complexities of the present day. Nothing is so clearly delineated anymore between our villains, our heroes, our collusions, and though one might grow weary of seeing him parody Machiavellian duplicity until his inevitable murder rectifies the situation, he's done it for so long that he manages to make it a high art in this new high octane series, though we might not take away anything fresh, and J-Lo is as Halle Berry still convincing herself she's the diva cop of yore, retreading Angel Eyes and Enough, as if we haven't seen enough of the tight T-shirt braggadocio to know its keynotes.

Italians have always known this however, even in the classic era. The Republicans assassinate Augustus to "save" the Republic-- in essence to keep power divested, only to initiate the monarchical divine reign of the aristocracy -- which only begins its real death throes in 1945, as opposed to 475 AD.

Perelli's La Piovra, with its grisly lurking cowardice, may no longer be "what it was," according to Wapo, but it is now organic, part of the entire textile which make up Euro-Asian societies as a whole, and it takes a special kind of apostate, one as zealous as Wozniak, to blow the whistle and cleanse procedure once boundaries get too muddied. Did the shock value of the homosexual liaison subvert expectations? Perhaps, but it seemed more like an exploitation fuck which thankfully wasn't overtly faked, the kind which victimizes wheelchair users repeatedly. If we were against Henry Hill in Scorsese's little blood bling, we look at Wozniak, and with secret glee hopes he walks out of a bloodbath with Liotta's trademark "ehnanana" Quite a turn within a quarter century.

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