I did not place Jessica Biel's celebrity until Home of the Brave (2006) floated by my consciousness three, four times. With Jackson, Ricci, this should be a stronger ensemble than it is, and I paid slightly more attention to it last time when the realization dawned that Biel carried a hand amputation. What her post war beau said to her character about pushing people away is an applicable issue as it relates to body image, which is why my former manager, Linda, may have gone off on me about her convulsions during orgasm.
I cannot say what Winkler did that makes this movie drag past any tolerable hold, but I am of the position that mediocre work never really helps in pushing our moral centers forward; white noise is fairly easy to tune out, as evinced by the fact that the dramatic arcs here are so watered down, took so long to get my attention.
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